What was the last film you watched?

Toni

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Last night I watched another movie (this Easter weekend has been rainy in Spain...) and this time an animated one: "Ferdinand", from the "people who brought us" the Ice Age saga. It was funnier I thought it would be, maybe because I´m losing faith in 3-D animation, especially Pixar. The story was about a bull who lives on a farm with a girl and a farmer (her dad? her granddad? I already forgot it!) and has a very obviously gay personality that the plot tries to disguise as "sensitive". In the first scene, he is shown smelling and watering a flower, which is kind of (gay) lovely. Then a confusing event happens and he ends up in the place he came from, la "Casa del Toro" (I really lol´d here: "House of the Bull"), a farm for bulls raised to be taken to bull rings (and eventually killed publicly by bullfighters). The story ends well though.

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I must specify that the movie, despite being American, happens in Spain, more concretely in Andalusia and then in Madrid. The character designs are caricaturesque and simple, and no realism seems to be intended, therefore the looks and action make the movie closer to Looney Tunes than to the Disney classics, which I think it´s ok. In the mid-part of the movie there is a low-point, but then it soon recovers its fast pacing. The last part, set in today´s Madrid, is shown very realistically and with attention to every detail, which is always something to thank because our country doesn´t appear in mainstream movies often, much less in animation.

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Our friends arrive in Madrid, as if a group of bulls
and a goat could happily take a bus in this town...
I simply loved this part!

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There was a previous version of this novel-based film as a Disney vintage short which I absolutely recommend to all cartoon fans. It was more character-based but equally funny. What amazed me of the new version the most was how there was no romantic interest at all for no character: the bulls show no interest in cows (they seem not to exist in their world...so the egg-chicken dilemma gets bigger here!), and there are only two female animal characters in this: a butch-sounding goat who pretends to be the bull´s trainer and is dubbed by *cough* Kate McKinnon *cough* (insert subtlety icon here).

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SATC girls are back...and now all of them look like horses!​

The other female is a mare part of a posh trio of utterly-flamboyant horses who are a bit embarrassing to watch, to be honest, because they bully the bulls (pun intended) and are probably the most unintentionally homophobic characters imagined in the XXI Millennium. They act, look and dance like an equine version of the Supremes (with touches of those beech gossip elephants from the original "Dumbo"). When they appeared, I suddenly had the impression that they had finally gone the animated route for the "Sex and the City" sequel and I was watching the three girls minus that Samantha witch...Anyway, the whole thing is fun and if you wanna see it as a big gay propaganda movie, there is nothing in the movie that contradicts that. I mean, there is even no mention to the girl´s mother as if she had been adopted by the old man...and his ex-husband?

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More gay thingies: The matador prima donna, like most bullfighters, also looks quite gay, and is a real drama queen who drives a sports car. His name is "El Primero" ("the first one", big lol!) and is dubbed (also in English) by the swoonalicious Miguel Ángel Silvestre (of "Sense8" fame) who is clearly imitating the accent Antonio Banderas uses in real life. I forgot to say there is no character singing here, only the mildly dramatic, feel-good story and a good message for kids: be brave but be yourself above all. Not "find a prince and go marry him asap"...


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Ferdinand, the original, the one and only.​
 

Michael Torrance

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Julie and Julia (2009)

This was quite different from what I had expected. From the advertising I thought that the two principals were contemporaries - a kind of Odd Couple - but the parallel telling of their two stories years apart was quite effective.

I did like the movie, because Streep is amazing and Adams is also good. But when it comes to the actual idea behind the theme (book and movie), I agree with this Slate review:

https://film.avclub.com/julie-julia-1798206711

Simultaneously adapting Julia Child’s autobiography My Life In France and Julie Powell’s blog-turned-memoir Julie & Julia, Nora Ephron’s Julie & Julia is two movies in one. That’s one more movie than it needs to be. One portrays Child’s self-discovery through cooking. The other focuses on Powell’s attempt to spend a year preparing all the recipes in Child’s co-authored 1961 breakthrough Mastering The Art Of French Cooking, a cookbook that made classic French dishes accessible to “the servantless American cook.” The first is a charming story of a woman finding a calling in a time and place when women weren’t generally thought to need callings. The second is an accidental dissection of Internet-enabled 21st-century narcissism rendered in broad strokes and easy punchlines.

Meryl Streep thoughtfully plays Child as a passionate woman with an easy laugh and an outsized personality to match her looming frame. Following her diplomat husband Paul (Stanley Tucci) on assignment to Paris, Child struggles to find an outlet for the passion not directed toward her loving marriage. She soon follows her palate to Le Cordon Bleu, where she struggles to overcome the perception that she’s merely dabbling. Ephron tells Child’s story with a lot of love and little urgency, letting small developments in the long creation of Art Of French Cooking set the pace as Streep and Tucci create an enviable vision of domestic compatibility.

Her story alternates, Godfather Part II style, with a depiction of Powell’s blog project, begun as an attempt to find a creative outlet beyond her job at the Lower Manhattan Development Corporation in the days after 9/11. Discovering that her innate charm has limits, Amy Adams plays Powell as a monstrously self-absorbed woman who—even overlooking the ruins of the World Trade Center—sees her friends’ professional success as a cosmic slight against her. Once the blog becomes her focus, she taps away happily—accompanied by You’ve Got Mail-style voiceover—as the Internet starts to pay attention to her quirks. She isn’t the sort of woman who grew up wanting to be Julia Child. She’s the sort who grew up wanting to be a Nora Ephron heroine, and Ephron’s attempts to rhyme the two stories only makes one look shallow by comparison.
 

Sea - Boo! - Er

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Brave (2012)

Another relatively recent addition to the ranks of the Disney princesses.

The modern-day message of course is that princesses no longer need rescuing by princes.
 

Mel O'Drama

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A nice concept and it looked beautiful. But... ugh!

A.A. Milne's beautiful characters are bastardised, mid-Atlantic versions. And his poetic use of English only appears in fragments throughout that (attempt to) reference the source material. Other than that, the language is Americanised and far too contemporary for the period setting.

Childhood Christopher used Estuary glottal stops. Ewan McGregor's take on RP was a little curious. Even Pooh had an American accent, for crying out loud.


Just depressing as hell.​
 

Sarah

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I do wish they would stop making every Disney female a princess.

There are only two real princesses in my opinion - Cinderella and Sleeping Beauty.

I mean Tinkerbell (my favourite) wouldn't even WANT to be a princess. She's too naughty!!!
 

James from London

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Captain Fantastic (2016)

This one took me totally by surprise. I just fell in love with it. It starts off with a dad raising his kids in the wilderness completely cut off from the modern world. It's kind of idyllic, but right from the start, you know at the back of your mind it can't (and maybe shouldn't) last. Sure enough ...

It then turns into a road movie with the family travelling cross country on their own bus, a bit like an HBO version of The Partridge Family. The culture clash stuff when the kids are introduced to their conventionally raised relatives is really funny, but what is brilliant is how even-handed the film is: the 'squares' they encounter are depicted with just as much humanity as the 'cool' drop-outs, and you find yourself constantly wondering whether the father of this gang is the best dad in the world or the worst. There are no easy answers. Viggo Mortensen is ideal casting as the father but the kids are just amazing, raw and funny and utterly heartbreaking. (It's on the iPlayer for the next three weeks if anyone in Blighty fancies it.)
 
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Sea - Boo! - Er

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There are only two real princesses in my opinion - Cinderella and Sleeping Beauty.
Maleficent (2014)

A live-action revisionist take on Sleeping Beauty doubling down with the message that princes are not only unnecessary but downright dangerous.
 

Toni

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This weekend I watched a couple of films:

- "Moonlight" (aka the movie which turned Faye Dunaway and Warren Beatty into the riot of Hollywood, and the whole world...!). I feel very embarrassed about not being able to say something positive about this Oscar-winner. It could have been such a beautiful film if they just...had avoided so many clichés. I don´t know if this one was made just for the black population, but of course this can´t be true. Or maybe just for the men who have had an isolated gay experience and then became straight men. One way or another, they seem to live in the same world than "Empire", where white people are just walk-in extras and everybody seems to have something to do with drugs. This movie has nothing to do with homosexuality at all! It´s all so pretentious and unbelievable that I just can´t say one thing: Please somebody enlighten me!

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"And the Oscar goes to...Miss Joan Crawford posthumously!!"​


- "Paycheck". Another one that might have been a great SciFi movie (based on a short story by Philip K. Dick). Instead, we have dumb-face Ben Affleck posing as Cary Grant in "North By Northwest" (on purpose), and a story as muddled as it could be, about scientific experiments with humans, deleted memories, visions of the future and relentless chases. I must admit the best thing was the action scenes, and also Uma Thurman, who never looked lovelier! Well, I also liked the score and the urban scenery in Vancouver. Incidentally, Michael C. Hall debuted in this movie, and also appear in it a very hot baddie, Aaron Eckhart, "Billions"´Paul Giamatti (here still in a comic relief role), and "Scandal"´s Joe Orton.
 
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Toni

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Today I watched "About Time", a 2013 romantic drama from the "Love Actually" director. The best of it, aside from Domhnall Gleeson´s fine performance, is the fantastic aspect of time traveling. It also features Bill Nighy, Rachel McAdams, a pre-Harley Quinn Margot Robbie and a pre-The Crown Vanessa Kirby. The movie isn´t pretentious at all and the story flows as well as you could expect with time traveling involved. Great pop soundtrack and bad brown wigs for McAdams who (I think) is a blonde. This could have been a turkey or corny rom-com but instead it´s part of a recent subgenre of time-travel dramas (the actress has been in four of them so far, no less). Good for a Saturday afternoon at home in good company.

 

Toni

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I finally got to watch "Joy", which turned out to be a much better film than I expected. Of course, one of my main reasons was to see our dear Donna Mills playing an actress who plays in a daytime soap opera. It´s truly a feel-good movie at the end and fortunately, Jennifer Lawrence didn´t ruin it this time with her over-acting and pouting. Bradley Cooper (yes, again in a movie with her...) just appears in a few scenes and actually looks quite flipped out. The supporting cast is top notch: a very handsome Edgar Ramírez as her ex-husband, a wonderful Diane Ladd as her grandma, Robert de Niro (light-years away from "Meet the Fockers") as her father, and a wonderfully bitchy Isabella Rossellini as the latter´s umpteenth wife.


As many of you must know because it was mentioned here at the time, daytime soaps are always in the background because Lawrence´s mum (played by Virginia Madsen) is literally addicted to them (she doesn´t leave the room not to miss any scene), and they called legendary soap actress for these little scenes within the (film) scenes. Susan Lucci is the one who parodies herself the best (I kept on seeing her "Dallas" character!), and Mills just gets one scene and a brief close shot. Shame shame shame you director! (At least they got her a very Knotsy frizzie wig!). The hairdo of the other actress in the below pic is obviously inspired by Linda Evans' eternal hairdo on "Dynasty". I lol´d about this...

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Sarah

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Submission with my new man crush, Stanley Tucci. It was soooo good, but I was a bit confused by the ending.
 

Toni

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Sea - Boo! - Er

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Mirror, Mirror (2012)

Another fairy tale adaptation - this time Snow White - that can't quite commit to being the comedy it wants to be.
 
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